An anthology of dances balancing between geometry and swirl where the aerial element is the paradigm for a reflection on the boundaries of control.
Currents and storms, air fans and drones, birds and gran-jetés become allegories of the relationship between choreography and dance in an investigation that bounces from the repetition to improvvisation, from writing to interpretation.
Score of this exploration is a notebook from the childhood of Francesca Pennini, where she wrote dozen of choreographies, invented but never performed. A time machine for an impossible archeology that is now declined on the stage in a series of outlandish possibilities. The body is tested borrowing the principles of thermodynamics, going from the plasticity of gymnastics to evanescence of inertia. Among contortions and asphyxiating efforts is triggered a respiratory exchange that mixes the volumes between body and space, audience and stage in a suspended and floating geography.