This choreographic work starts from the observation of those particular phenomena that we find in nature, where the forms are, so to speak, incomplete, or give rise to other forms before they have reached what we expected. On this path moves "Ossidiana", a work structured in to something hybrid, unexpected and morphologically unusual: like obsidian, where the crystal will not ever supervene.
It is from this mineral point of view, this simultaneity, where everyone is busy to trigger and defuse all things, that each time the works fades into pure choreographic material, in live electronics in concert, in disguises with sands of the Eyjafjallajökull.

promo video

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