The work was selected by the New York City Department of Parks for its temporary park art program. On the occasion of the inauguration on August 20, 2022, Teatrino Giullare reads a fragment of "Seconda lettera a Dorotea" by Giuliano Scabia, to whose memory the work is dedicated.
"Artificial Botany" is part of “Hylozoism: An Arts & Technology Exhibition”, a collective exhibition curated by Hong Kong Design Institute that demonstrates the connections between the world, the earth, and the people. Like the five elements, the five artworks in the exhibition present a neo-nature to propose the concept of symbiosis - like an endless cycle of mutual benefits and coexistence
A new Chinese stage of the third edition of the exhibition on the Italian panorama of children’s illustration, dedicated to young illustrators aged between 23 and 35.
The third edition of the international exhibition on the Italian panorama of children’s illustrations is on display at the Department of Romance Languages and Literatures of the Comenius University Bratislava
Revelation of the new Italian performance scene, Marco D’Agostin signs a generational biographical story entrusted to the talent of the dancer Marta Ciappina, a singular interpreter as for artistic itinerary and technical peculiarities in the panorama of Italian dance.
Schaffhausen hosts Aterballetto's new diptych co-produced with the Fondazione Arturo Toscanini, composed of "Stabat Mater" by Norge Cedeño Raffo and "With drooping wings" by Danièle Desnoyers.
The band returns to the United States to carry on the tour interrupted in 2020 due to the pandemic. A 17-date tour to present the latest album “Things Are Random And Time Is Speeding”.
The YMEO conducted by Paolo Olmi is guest of the Al Bustan International Festival, this year dedicated to the theme: "Harmonies of Peace".
A work freely inpired by Harlequin of the "Commedia dell’Arte" but tranformed into a demon with multiple identities. On stage within the tanzmainz festival #4
Aterballetto flies to Luxembourg and dances Double Side, the double bill composed of 'Stabat Mater' by Cuban Norge Cedeño Raffo and of 'With drooping wings' by Canadian Danièle Desnoyers.
Natasha Czertok stages a "private bestiary" that insinuates itself, with a good dose of self-irony, into the dynamics linked to what we usually define as "normality" and to the stereotypes in which we recognize ourselves / which we reject / in which we feel forced. The performance is guest of the Festival Internacional de Teatro Gestual de Madrid.
