The fourth edition of the “Italian Excellece” project – a tribute to the great Italian writer on the centenary of his birth, is presented in Madrid by the Italian Cultural Institute and the Casa del Lector.
The fourth edition of the “Italian Excellece” project – a tribute to the great Italian writer on the centenary of his birth, is presented in Cologne by the Italian Cultural Institute. Opening attended by Doro Petersen, illustrator on display with one of the plates from "Marcovaldo".
Stage of research, exchange, and co-creation in Nagaland.
Fabio Condemi, one of the most interesting young Italian directors, already a winner of a Ubu Prize, skillfully handles a labyrinthine text in which multiple levels and traces coexist in a continuous and very rich interlocking game, and in which viewers are called to question about our being in history.
Marco D’Agostin celebrates the memory of Nigel Charnock trying to answer the question: what would you write to someone who will never read your words?
The story of the encounter between a theatre company and a group of metalworkers in the autumn of the Capital. A show about time, its flow, who owns it, sells it, buys it, frees it.
Accademia Bizantina opens the Oslo International Church Music Festival 2024 with Händel's first oratorio, considered to be one of the most beautiful and expressive works by the composer.
CCN/Aterballetto opens the Basque festival DFeria with 'Rhapsody in Blue', the new creation by Iratxe Ansa and Igor Bacovich. The evening is completed with Eyal Dadon's 'Yeled' and Diego Tortelli's 'Shoot Me'.
Residency for the rehearsals of the new international co-production 'Saint Joan of the Stockyards', from Brecht's great classic.
In co-operation with the Universidade Federal da Bahia (UFBA), workshops on the use of masks and the use of body in the 'Commedia dell'Arte' and on the creation of a leather mask, and staging of the Portuguese version of two shows from the Fraternal Compagnia’s repertoire.
Artemis Danza’s and Monica Casadei’s new artistic project investigates and interprets in a contemporary key four fascinating heroines of the composer from Lucca: Tosca, Madama Butterfly, Mimì, and Turandot. In San Francisco, the company will also conduct a masterclass.
Every time a civilisation puts its own existence at risk, as we have today, Cassandra re-emerges from the folds of the myth and leaves us stunned by her apocalyptic assertions. In Cassandra by Teatro Gioco Vita, she is a girl – of our times perhaps – who cannot bear to witness the devastating process of extinction that is taking place without giving her own “testimony”. French premiere.
Aterballetto dances the triple bill composed of 'Secus' by Ohad Naharin, “O” by Philippe Kratz and 'BLISS' by Johan Inger – a unique opportunity to admire the company through shades of contrast, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz, to vigorous rituality of Ohad Naharin.
Casadei continues the investigation of a theme that is very close to her heart: violence against women. After Tosca, Violetta, and Carmen, she addresses the topic again in consideration of the sad and disturbing reality of the increase in domestic violence and, in general, in suffering and abuse against all minorities. A show between raw realism and poetry dictated by a possible redemption.
