The fourth edition of the “Italian Excellece” project – a tribute to the great Italian writer on the centenary of his birth, is presented in Košice by the Italian Cultural Institute and the Vojtech Löffler Museum
In co-operation with Teatro do Alvorecer and Teatro Barracão in Curitiba, second stage of the project in the region of Paraná, with workshops and the staging of the Portuguese version of the show in Campo Mourão, Maringà, Florianopólis, and Curitiba.
The exhibition is a homage to two countries which have often been protagonists of historical football matches. The iconic Panini football stickers will disclose the whole history of the main football events of the European Championship. About 80 albums on display, along with hundreds of stickers, footballs shirts and much more, with some rarities and exclusive gadgets.
Shamans and doctors, genuine artists of the scalp determined to sort out any problem to a chorus of lotions, the barber/musicians proudly show off their gestural talent. The performance is guest of the MUECA International Street Art Fest of Tenerife.
A show for young and old that tells of Italy and its flavours and sounds, which unravels the passion for life and its pleasures as a characteristic trait of the Italian culture. It is the story of a quest for happiness and conviviality, a hymn to love and taste, to good food and the pleasure of sitting together around a big table.
The performance of shadow theatre and actors based on Catherine Pineur's work is guest of the Ottawa Children’s Festival de La Jeunesse, where it will be performed both in French and, for the first time, in English language.
In the hands of Terzopoulos, "Waiting for Godot" becomes one lens to decipher the Other who, inside and outside of us, summons opposites: animal longing and divine tension, madness and dream, delirium and nightmare. A show that questions our own humanity.
Aterballetto performs for the first time at the Lodz Ballet Festival, which welcome the dance company as ‘special guest’. On the occasion, the whole company of sixteen dancers presents 'Yeled' and 'Secus', signed by Israeli choreographers Eyal Dadon and Ohad Naharin.
The performance of shadow theatre and actors based on Catherine Pineur's work is on stage at the WeeFestival in Toronto, where it ends its long Canadian tour.
A tribute to the life of singer, pianist, writer, composer, and civil rights activist Eunice Kathleen Waymon –Nina Simone's real name. Starting from recordings of her performances and radio and television interviews, the multi-award-winning soprano and performer Claron McFadden creates a versatile portrait of the legendary artist.
Against the backdrop of the Trojan War, two figures - a man and a woman, challenge each other to a duel and fall in love with each other. 'Penthesilea' is a one-act play for two stilt walkers, two beings who are halfway between human and animal, it is the story of a clash between warriors who come to desire the death of the other due to too much love.
INSEL, the German word for island, is a choreographic and sound creation for four performers which chooses a geographical condition as a symbolic reference to turn the gaze towards the individual and into the inevitable encounter with one's own shadow. On stage at the 'Rencontres chorégraphiques internationales de Seine-Saint-Denis'
Bringing dance, its universal language, to Italian Cultural Institutions around the world and to unexpected places that allow for close enjoyment, impossible in the classical spaces of a theatre. This is the desire behind Italia Danza, a project of the Ministry of Foreign Affairs and International Cooperation and CCN/Aterballetto.
"You were nothing but wind" is one of two spin-off performances of "Tutto Brucia (everything burns)" - Motus' rewrite of Euripides' "Le Troiane". A performance-study on the figure of Hecuba and the character's grief that echoes with howls/words after the defeat of Troy.
INSEL, the German word for island, is a choreographic and sound creation for four performers which chooses a geographical condition as a symbolic reference to turn the gaze towards the individual and into the inevitable encounter with one's own shadow. On stgage at the 'Passages Transfestival' 2024
