A journey through the first sixty years of the 20th century retracing those aspects of modernity and innovation that have characterized Italy. A project born in synergy with the Consulate General of Italy in Metz and the Italian Cultural Institute in Strasbourg as part of “Paris 2024” - Summer Olympic Games.
A choreographic project focused on an object which since its beginning has always been used to express belonging and separation, marking the distinction between a hypothetical us and them: the flag. On stage within Julidans.
INSEL, the German word for island, is a choreographic and sound creation for four performers which chooses a geographical condition as a symbolic reference to turn the gaze towards the individual and into the inevitable encounter with one's own shadow. Dutch premiere within Julidans.
A coloured and fantastic adventure in a play of lights and shadows and a bit of magic. On stage at IDEKLIC | Festival International pour l'Enfance et la Jeunesse.
Accademia Bizantina returns to the Beaune International Baroque and Romantic Opera Festival with Antonio Vivaldi's "Tamerlane", in concert form. We will find the cast who has already performed on various Italian and international stages: Filippo Mineccia, Bruno Taddia, Delphine Galou, Marina de Liso, Shaked Bar, and Benedetta Mazzucato will make her debut.
Dance and music come together in a relationship of mutual amplification from which a constantly evolving imagination may develop. On stage at the KoresponDance international festival.
«I am thinking about this production as a simple and essential story. I am thinking about “joy” as something connected with a possible way out of fighting, pain and darkness. I am thinking about deserts, prisons, about people escaping from those prisons, about flowers.» (Pippo Delbono)
The very young and already award-winning theatre group Hombre Collettivo on stage at the 'George Town Festival' in Penang with their second work, a show that tackles the issue of the international arms trade.
'Fiesta' transforms streets into a festival of Mediterranean flair. It is a jolly parade with drum rhythms, three-metre-long figures on stilts with masks of papier-mâché, colourful patched costumes, banners, whistles and fire. The actors sing Italian popular a cappella-songs about love, work and rebellion and perform short burlesque stories, inspired by Gabriel García Márquez.
As a hybrid format that combines elements of a concert and a rehearsal, the ‘workshop concerts’ (Werkstattkonzerte) are an opportunity to experience first-hand the compelling musical development of an ensemble and the production of a concert programme.
Fiesta transforms streets into a festival of Mediterranean flair. It is a jolly parade with drum rhythms, three-metre-long figures on stilts with masks of papier-mâché, colourful patched costumes, banners, whistles and fire. The actors sing Italian popular a cappella-songs about love, work and rebellion and perform short burlesque stories, inspired by Gabriel García Márquez.
To commemorate the life and career of Pasolini - poet, director, author, playwright and more - Teatro Nucleo has decided to celebrate his ardour and passion with a musical cabaret.
The Orchestra del Baraccano pays homage to the Bolognese composer Ottorino Respighi with a programme in which the art of transcription, so dear to the composer, is expressed with particular finesse and refined tone quality.
'Masquerade Mask' is a vehicle to introduce the audience the world of Commedia dell’Arte and a tribute to all the characters of Italian traditional theatrical culture.
