Italian ceramics of the 20th and 21st centuries from the Collections of the International Museum of Ceramics in Faenza. The exhibition presents about twenty works that recount an extraordinary formal, technical and poetic adventure from the beginning of the 20th century to the present day, to provide a historical and contemporary aspect of a language that is as ancient as it is contemporary.
The Centro Coreografico Nazionale/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau: a unique creation that weaves the music by the Oscar-winning composer with dance, visual arts, and cinematic inspiration.
A diary of daily life during summer 2019, the 30th summer at the Ariette, to tell our present through the wheat. To tell the present time with its contradictions, intolerances, besides food, the relationship we live with land, animals, plants, mankind and the society we live in.
A selection of over one hundred pieces from one of the world's leading collections of marionettes and puppets: the Zanella/Pasqualini collection from the Puppets Museum of Budrio (Bologna).
Accademia Bizantina returns to China with a tour focusing on Antonio Vivaldi's Concertos for Strings, Violin and Viola d’amore
Pippo Delbono's search in the footsteps of a word: "love", which is not only a feeling, but also a state of the soul.
Dewey Dell’s creation winner of the Danza&Danza Award 2023 as 'Best Italian Production' premieres in Lisbon at the FIMFA Lx25 festival.
Fiesta transforms streets into a festival of Mediterranean flair. It is a jolly parade with drum rhythms, three-metre-long figures on stilts with masks of papier-mâché, colourful patched costumes, banners, whistles and fire. The actors sing Italian popular a cappella-songs about love, work and rebellion and perform short burlesque stories, inspired by Gabriel García Márquez.
'Awakening' is rooted in a personal experience and then unfolds in a feeling of loss that concerns many. A feeling that demands to be healed, but that only a gesture of solitary rebellion can cure, starting from the acknowledgement of a fragility that is mirrored by the performance.
