concept, direction, choreography: Francesca Pennini
dramaturgy, technical management: Angelo Pedroni
music: Wolfgang Amadeus Mozart reloaded
sound elaboration & musical re-composition: Simone Arganini
action & creation: interpreters rotating between Simone Arganini, Niccolò Catani, Margherita Elliot, Carolina Fanti, Teodora Grano, Orlando Izzo, Fabio Novembrini, Carmine Parise, Angelo Pedroni, Francesca Pennini, Ilaria Quaglia, Giulio Santolini, Stefano Sardi, Giulia Sposito
organization: Carmine Parise
with the support of Inteatro Festival / MARCHE TEATRO
art residencies: Teatro Comunale di Ferrara, Inteatro Festival / MARCHE TEATRO
Thanks to La Biennale di Venezia

Of the permeability of the bodies. Of bodies that become sites.
Of geographies that move signs. Of bending towards the east.
Of that perceptual deviation that makes it seem all symmetrical, but then it is not. Of that excess of visibility that moves you a diopter away (here the two shoulders are different). Of that foot just a tad narrower in the shoe. Of a certain cardinal order that remains the same when everything changes. Of being just slightly uncomfortable. Of accelerated inhabitants in a jungle of gestures. Of a potential summer storm.
We will discuss all of this. Then everything will depend on everything.


How long is one minute?
What are the limits of the body?
How much can it slow down to reach the most cosmic stillness or lose its definition and then turn into an ultra-fast wake?
How to destroy your dance is a challenge against time with pulp tones and a ludic taste.
A handbook for the boycott of every choreographic decorum through impossible accelerations and extreme slow-motions.
A massacre game with no fiction and no sparing, where dancers become wrestlers of relativity and the show gets stripped down by the intimate rituals of the preparation and the destruction of any form of formal artifice.