Violetta against everyone. Violetta in white, hope of pureness, Violetta in red, a bleeding heart. A heart that was better if it never beat. Less pain, less conflict. Violetta, a story marked by a feeling of end. Nothing is sorted. E' tardi. It's late. Evil waits behind the waltz. Behind celebrations and manners lies a rotten, empty, and sparkling society.
A choreographic journey where dance and opera merge creating a flow of images that has no didactive coherence, and yet it is strictly connected to Violetta's tragedy. The loving feeling of the one who hopes clashes against the sensation of the knowledge of the end of everything, while the conflict between single and society, private and public, is consumed.
A Traviata seen from Violetta's point of view. Violetta surrounded by a chauvinist society represented by a chorus in black. Violetta multiplied in many female characters, in many cross sections of her heart. Violetta despised, but still yearning, though ill, though courtesan, for something pure. Violetta collided against the rules of the bourgeois society of Alfredo's father, Giorgio Germont, symbol of a morally ill society. A society which for some reason reflect ours.
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The performance is on stage on September 27 at the Centro Cultural San Ginés and on September 28 at the Centro Cultural de Puente Alto, where the dance company will also conduct a masterclass, still on September 28.