Luigi De Angelis and Chiara Lagani, founder members of the Fanny & Alexander company have designed Nina as a sound and performance-based experimentation in homage to the singer, pianist, and activist Nina Simone (born Eunice Kathleen Waymon). Finding expression for the technique of heterodirection, the American soprano Claron McFadden uses earphones to connect in real-time to the voice of the artist. Alternating between legendary songs, evocation of political standpoints and also disappointments in the life of Nina Simone, Claron McFadden, accompanied by an "autopiano", as well as the sound design by Damiano Meacci, succeeds in embodying this historical figure in way which goes beyond mimetic representation, creating an effect of "fantastical superposition". Allowing herself to become inhabited by the presence of Nina Simone, the soprano gracefully illustrates the singularity of the human voice in the form of an inimitable "sound-print". At the crossroads between technology and magic, Nina steers spectators towards a reflection on the socio-racial questions at stake in our western societies.
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