"Le quattro stagioni" (The Four Seasons)
salta a esito operazione
Music
Accademia Bizantina brings an entirely Vivaldian programme to the most prestigious halls of Belgium and Holland: some concerts from “L'Estro Armonico" and the very famous "Quattro Stagioni".
Violin soloist will be the Concertmaster of Accademia Bizantina, whose interpretation of this repertoire has already positively surprised and widely conquered the public and critics.
OTTAVIO DANTONE - harpsichord and conductor
ALESSANDRO TAMPIERI - concertmaster, violin solo
Sara Meloni, Lisa Ferguson, Maria Grokhotova - violins I
Ana Liz Ojeda, Mauro Massa, Heriberto Delgado - violins II
Marco Massera, Alice Bisanti - violas
Emmanuel Jacques/Alessandro Palmeri, Paolo Ballanti/Giulio Padoin - cellos
Nicola Dal Maso – violone
Simone Vallerotonda – lute
PROGRAMME
A. Vivaldi
Concerto n. 6 in A minor for violin, strings and basso continuo RV 356
Allegro - Largo - Presto
Concerto n. 11 in D minor for two violins, cello, strings and e basso continuo RV 565
Allegro - Adagio e Spiccato, Allegro - Largo e Spiccato - Allegro
Alessandro Tampieri, Ana Liz Ojeda - violins solo
Concerto n. 10 in B minor for four violins, cello, strings and basso continuo RV 580
Allegro - Largo - Allegro
Alessandro Tampieri, Ana Liz Ojeda, Sara Meloni, Maria Grokhotova - violins solo
Concerto n. 8 in A minor for two violins, strings and basso continuo RV 522
Allegro - Larghetto e Spiritoso - Allegro
Alessandro Tampieri, Ana Liz Ojeda - violins solo
***
Concerto in E major RV 269 “Spring”
Allegro - Largo - Allegro
Concerto in G minor RV 315 “Summer”
Allegro non molto - Adagio - Presto
Concerto in F major RV 293 “Autumn”
Allegro - Adagio molto - Allegro
Concerto in F minor RV 297 “Winter”
Allegro non molto - Largo - Allegro
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from 12/01/2024 to 12/01/2024 hour 20.00
Accademia Bizantina (AB) was founded in Ravenna in 1983.
Accademia’s music starts from the origin (“AB”), from the very rules of the baroque stylistic language: it investigates them without any addition, elimination or transformation, relying on the sounds of ancient instruments.
This unique performing method began in 1996 with the appointment of its conductor Ottavio Dantone, a true expert of Baroque expressive codes. His system, forged by experience and an ongoing philological study, has allowed AB as an orchestra to approach any repertoire with awareness and honesty. Being able to convey the composer’s authentic intentions to the public is an invaluable asset that has earned AB national and international recognition and collaboration.
Each performance by Accademia Bizantina, which since 2011 can also count on the prestigious concertmaster Alessandro Tampieri, is an unexpected journey through time, an unparalleled balance between technique, skill, rigour, interpretative culture, intuition and stylistic accuracy.
Accademia Bizantina has recorded for Decca, Harmonia Mundi, Deutsche Grammophon, Naïve, Alpha, Onyx, HDB Sonus. It has received prestigious awards such as the Diapason d’Or, Midem, Choc di Classica, Opus Klassik, Grammy Music Award and Gramophone Awards. Particularly significant are the collaborations with violinists Viktoria Mullova and Giuliano Carmignola, countertenor Andreas Scholl and contralto Delphine Galou; in 2021 got the second place in the world and first place in Europe at Gramophone Awards for the best orchestra of the year.
Accademia Bizantina has performed in the world’s most renowned theatres and festivals, such as Carnegie Hall and Lincoln Center (New York), Wigmore Hall and Barbican Centre (London), Théâtre des Champs Elysées (Paris) and Opera Royal (Versailles); Concertgebouw (Amsterdam), Bozar (Brussels), Pierre Boulez Saal / Staatoper (Berlin), Kölner Philharmonie, Elbphilharmonie Hamburg, ENCPA Beijing, Shanghai Concert Hall, Walt Disney Hall (Los Angeles), Theater an der Wien (Wien), CNDM Madrid, and Auditorium Parco della Musica in Rome.
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